The 2 Kenny videos above explain some basic, but excellent uses for it simple one-to-one routing. There’s also a feature not shown: you can link any parameters to midi CC or to another FX parameter on the same track (even across plug-ins).
Eq Band 3 Frequency - modulated by an LFO sine.This also means that the modulation may change depending on the buffer size! (thanks to evildragon for pointing this out) Due to the ‘stepped’ modulation there is also aliasing and a lot of noise inherent in the signal that must be dealt with by the modulated parameter. So at 44,100khz and a 128 sample buffer size, your maximum modulation speed is 344.53125hz. (It is not audio-rate, but I do not know the limit)Įdit: The limit is the sample rate divided by the buffer size. This means any signal that you can create can be used to modulate an FX.It’s value follows the amplitude of a drum-beat signal routed to it. Eq Band 2 gain - modulated by a drum beat.In the image above I have 2 things happening: (tutorial coming soon)Īnother subcategory of “One to One” is that Reaper has parameter modulation for any given FX parameter. Any media item can output to any one of the 64 64 individual outputs to be then routed elsewhere.A track can output to any one of 64 individual outputs to another track.This doesn’t just mean recording, it can also take up to 64 discrete channels of input from other tracks to be routed anywhere else, even inside the track itself to various fx.Shown on the bottom track labeled “8 Channels 1 item”, each track in Reaper can take up to 64 channels of input.
There are also mixer/spliter plug-ins to deal with I/O in the midst of a plug-in chain. FX can take input from any of the 64 inputs, and output specifically to any of the 64 outputs.We could have individual routing for each channel before getting to that mixer if we want. We have an 8-channel media item (“8 channels 1 item”) being mixed just on one track. Look at the “Plug-in pin connector” window and the “8x mono to 1x stereo” plug-in. Each track in Reaper has 64 channels of audio to route to/around/within/between FX as you desire.This allows each single track in Reaper to act as a 64-channel DAW in its own right. Just tracks.Īny given track in Reaper has 64 channels of I/O with the option to have freely placeable overlapping media items. There are 2 concepts that you need to understand before the flexibility of Reaper’s routing makes any sense Reaper has tracks. Was ist mit dem anderen Morgen? Das ist ein Kapitel für sich.Every track is basically a 64 channel DAW.In this post I’ll be going over some of the things you can do with Reaper’s routing, and I will also discuss why it will immolate your soul and leave nothing but the charred remains to remind you of your sins. It can allow for some exceptionally cool routing configurations that will leave you scratching your head the next day.
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